Category: Uncategorized

Sudha G Tilak

Delhi

For nearly 300 years, a family’s ancestral house in India’s southern state of Kerala has been the stage for theyyam, an ancient folk ritual.

Rooted in ancient tribal traditions, theyyam predates Hinduism while weaving in Hindu mythology. Each performance is both a theatrical spectacle and an act of devotion, transforming the performer into a living incarnation of the divine.

The predominantly male performers in Kerala and parts of neighbouring Karnataka embody deities through elaborate costumes, face paint, and trance-like dances, mime and music.

Each year, nearly a thousand theyyam performances take place in family estates and venues near temples across Kerala, traditionally performed by men from marginalised castes and tribal communities.

It is often called ritual theatre for its electrifying drama, featuring daring acts like fire-walking, diving into burning embers, chanting occult verses, and prophesying.

Historian KK Gopalakrishnan has celebrated his family’s legacy in hosting theyyam and the ritual’s vibrant traditions in a new book, Theyyam: An Insider’s Vision.

Sudha G Tilak

Delhi

For nearly 300 years, a family’s ancestral house in India’s southern state of Kerala has been the stage for theyyam, an ancient folk ritual.

Rooted in ancient tribal traditions, theyyam predates Hinduism while weaving in Hindu mythology. Each performance is both a theatrical spectacle and an act of devotion, transforming the performer into a living incarnation of the divine.

The predominantly male performers in Kerala and parts of neighbouring Karnataka embody deities through elaborate costumes, face paint, and trance-like dances, mime and music.

Each year, nearly a thousand theyyam performances take place in family estates and venues near temples across Kerala, traditionally performed by men from marginalised castes and tribal communities.

It is often called ritual theatre for its electrifying drama, featuring daring acts like fire-walking, diving into burning embers, chanting occult verses, and prophesying.

Historian KK Gopalakrishnan has celebrated his family’s legacy in hosting theyyam and the ritual’s vibrant traditions in a new book, Theyyam: An Insider’s Vision.

Sudha G Tilak

Delhi

For nearly 300 years, a family’s ancestral house in India’s southern state of Kerala has been the stage for theyyam, an ancient folk ritual.

Rooted in ancient tribal traditions, theyyam predates Hinduism while weaving in Hindu mythology. Each performance is both a theatrical spectacle and an act of devotion, transforming the performer into a living incarnation of the divine.

The predominantly male performers in Kerala and parts of neighbouring Karnataka embody deities through elaborate costumes, face paint, and trance-like dances, mime and music.

Each year, nearly a thousand theyyam performances take place in family estates and venues near temples across Kerala, traditionally performed by men from marginalised castes and tribal communities.

It is often called ritual theatre for its electrifying drama, featuring daring acts like fire-walking, diving into burning embers, chanting occult verses, and prophesying.

Historian KK Gopalakrishnan has celebrated his family’s legacy in hosting theyyam and the ritual’s vibrant traditions in a new book, Theyyam: An Insider’s Vision.

Sudha G Tilak

Delhi

For nearly 300 years, a family’s ancestral house in India’s southern state of Kerala has been the stage for theyyam, an ancient folk ritual.

Rooted in ancient tribal traditions, theyyam predates Hinduism while weaving in Hindu mythology. Each performance is both a theatrical spectacle and an act of devotion, transforming the performer into a living incarnation of the divine.

The predominantly male performers in Kerala and parts of neighbouring Karnataka embody deities through elaborate costumes, face paint, and trance-like dances, mime and music.

Each year, nearly a thousand theyyam performances take place in family estates and venues near temples across Kerala, traditionally performed by men from marginalised castes and tribal communities.

It is often called ritual theatre for its electrifying drama, featuring daring acts like fire-walking, diving into burning embers, chanting occult verses, and prophesying.

Historian KK Gopalakrishnan has celebrated his family’s legacy in hosting theyyam and the ritual’s vibrant traditions in a new book, Theyyam: An Insider’s Vision.

Sudha G Tilak

Delhi

For nearly 300 years, a family’s ancestral house in India’s southern state of Kerala has been the stage for theyyam, an ancient folk ritual.

Rooted in ancient tribal traditions, theyyam predates Hinduism while weaving in Hindu mythology. Each performance is both a theatrical spectacle and an act of devotion, transforming the performer into a living incarnation of the divine.

The predominantly male performers in Kerala and parts of neighbouring Karnataka embody deities through elaborate costumes, face paint, and trance-like dances, mime and music.

Each year, nearly a thousand theyyam performances take place in family estates and venues near temples across Kerala, traditionally performed by men from marginalised castes and tribal communities.

It is often called ritual theatre for its electrifying drama, featuring daring acts like fire-walking, diving into burning embers, chanting occult verses, and prophesying.

Historian KK Gopalakrishnan has celebrated his family’s legacy in hosting theyyam and the ritual’s vibrant traditions in a new book, Theyyam: An Insider’s Vision.

Sudha G Tilak

Delhi

For nearly 300 years, a family’s ancestral house in India’s southern state of Kerala has been the stage for theyyam, an ancient folk ritual.

Rooted in ancient tribal traditions, theyyam predates Hinduism while weaving in Hindu mythology. Each performance is both a theatrical spectacle and an act of devotion, transforming the performer into a living incarnation of the divine.

The predominantly male performers in Kerala and parts of neighbouring Karnataka embody deities through elaborate costumes, face paint, and trance-like dances, mime and music.

Each year, nearly a thousand theyyam performances take place in family estates and venues near temples across Kerala, traditionally performed by men from marginalised castes and tribal communities.

It is often called ritual theatre for its electrifying drama, featuring daring acts like fire-walking, diving into burning embers, chanting occult verses, and prophesying.

Historian KK Gopalakrishnan has celebrated his family’s legacy in hosting theyyam and the ritual’s vibrant traditions in a new book, Theyyam: An Insider’s Vision.

Sudha G Tilak

Delhi

For nearly 300 years, a family’s ancestral house in India’s southern state of Kerala has been the stage for theyyam, an ancient folk ritual.

Rooted in ancient tribal traditions, theyyam predates Hinduism while weaving in Hindu mythology. Each performance is both a theatrical spectacle and an act of devotion, transforming the performer into a living incarnation of the divine.

The predominantly male performers in Kerala and parts of neighbouring Karnataka embody deities through elaborate costumes, face paint, and trance-like dances, mime and music.

Each year, nearly a thousand theyyam performances take place in family estates and venues near temples across Kerala, traditionally performed by men from marginalised castes and tribal communities.

It is often called ritual theatre for its electrifying drama, featuring daring acts like fire-walking, diving into burning embers, chanting occult verses, and prophesying.

Historian KK Gopalakrishnan has celebrated his family’s legacy in hosting theyyam and the ritual’s vibrant traditions in a new book, Theyyam: An Insider’s Vision.

Sebastian Usher

Middle East regional editor

Rebel forces launched the largest offensive against the Syrian government in years on Wednesday.

By Saturday, they had taken control of “large parts” of the country’s second-biggest city, Aleppo.

The surprise offensive prompted the first Russian strikes on Aleppo since 2016, and saw Syria’s military withdraw its troops from the city.

The attack was led by the Islamist militant group Hayat Tahrir al-Sham (HTS) – which has a long and involved history in the Syrian conflict.

ADVERTISING

Who are Hayat Tahrir al-Sham?

HTS was set up under a different name, Jabhat al-Nusra, in 2011 as a direct affiliate of Al Qaeda.

The leader of the self-styled Islamic State (IS) group, Abu Bakr al-Baghdadi, was also involved in its formation.

It was regarded as one of the most effective and deadly of the groups ranged against President Assad.

But its jihadist ideology appeared to be its driving force rather than revolutionary zeal – and it was seen at the time as at odds with the main rebel coalition under the banner of Free Syria.

And in 2016, the group’s leader, Abu Mohammed al-Jawlani, publicly broke ranks with Al Qaeda, dissolved Jabhat al-Nusra and set up a new organisation, which took the name Hayat Tahrir al-Sham when it merged with several other similar groups a year later.

Sebastian Usher

Middle East regional editor

Rebel forces launched the largest offensive against the Syrian government in years on Wednesday.

By Saturday, they had taken control of “large parts” of the country’s second-biggest city, Aleppo.

The surprise offensive prompted the first Russian strikes on Aleppo since 2016, and saw Syria’s military withdraw its troops from the city.

The attack was led by the Islamist militant group Hayat Tahrir al-Sham (HTS) – which has a long and involved history in the Syrian conflict.

ADVERTISING

Who are Hayat Tahrir al-Sham?

HTS was set up under a different name, Jabhat al-Nusra, in 2011 as a direct affiliate of Al Qaeda.

The leader of the self-styled Islamic State (IS) group, Abu Bakr al-Baghdadi, was also involved in its formation.

It was regarded as one of the most effective and deadly of the groups ranged against President Assad.

But its jihadist ideology appeared to be its driving force rather than revolutionary zeal – and it was seen at the time as at odds with the main rebel coalition under the banner of Free Syria.

And in 2016, the group’s leader, Abu Mohammed al-Jawlani, publicly broke ranks with Al Qaeda, dissolved Jabhat al-Nusra and set up a new organisation, which took the name Hayat Tahrir al-Sham when it merged with several other similar groups a year later.

Sebastian Usher

Middle East regional editor

Rebel forces launched the largest offensive against the Syrian government in years on Wednesday.

By Saturday, they had taken control of “large parts” of the country’s second-biggest city, Aleppo.

The surprise offensive prompted the first Russian strikes on Aleppo since 2016, and saw Syria’s military withdraw its troops from the city.

The attack was led by the Islamist militant group Hayat Tahrir al-Sham (HTS) – which has a long and involved history in the Syrian conflict.

ADVERTISING

Who are Hayat Tahrir al-Sham?

HTS was set up under a different name, Jabhat al-Nusra, in 2011 as a direct affiliate of Al Qaeda.

The leader of the self-styled Islamic State (IS) group, Abu Bakr al-Baghdadi, was also involved in its formation.

It was regarded as one of the most effective and deadly of the groups ranged against President Assad.

But its jihadist ideology appeared to be its driving force rather than revolutionary zeal – and it was seen at the time as at odds with the main rebel coalition under the banner of Free Syria.

And in 2016, the group’s leader, Abu Mohammed al-Jawlani, publicly broke ranks with Al Qaeda, dissolved Jabhat al-Nusra and set up a new organisation, which took the name Hayat Tahrir al-Sham when it merged with several other similar groups a year later.